One turf..
Two families..
Three generations..
Four characters..
Headed by Director Steven Patrick C. Fernandez, the Integrated Performing Arts Guild (IPAG) graced the stage with the magnum opus entitled Ming Ming, which was shown in the Mini-Theater of the MSU-IIT last July 23-28, 2012. My block mates and I had the privilege to watch such marvelous drama by the world-renown resident theater company of our institute as a requirement to our English I class. As for me, I had high expectations for the show since I have watched IPAG presentations since high school, and they haven't failed to meet my expectations at all.
Ming Ming tells about how traditions and maratabat or family pride in the Muslim religion has ran the world of an 18 year old Ming Ming. The play starts with the tonongs or spirits bringing her back from the spirit world to watch her life's collage appear before her. Ming Ming discovers her family's darkest secrets that ran for three generations, her true origin and the reason for her death. The play was hard to understand at first since there were no narrations and the characters spoke their lines fast and not in a responsive manner. The script was written for the readers to piece together, and eventually, it would make sense in the end, that is if you have listened carefully. It was as if there was a continuous time travel as each character spoke for there were signifiers in their lines that would indicate in which generation they belonged. The way the script was presented was exemplary, through it, the viewer would be hooked from the start till the end in order to get the plot's gist.
There were only four characters in the play. First would be Ming Ming, the protagonist, played by Dianne Therese Clemente, R, Ming Ming's mother played by Jean Graciela E. Peñola, I, the grandmother, by Venus Tan, and P, the uncle, by Hobart Savior. As what you might've observed, the character names sum up to RIP Ming Ming. True for in fact the protagonist's character in the whole play was depicted as a spirit.
The whole play was very Muslim in all its depicted principles, structure of society, as well as the script lines.
One Muslim tradition which was emphasized in the film was how maratabat influenced each member of the family to do what they did. To start with the first generation, I, sacrificed her secret love in order to respect her family's imposition to marry the elder brother of her secret love (P). Ironic, isn't it? I wonder how many of us would have allowed ourselves to stick to a marriage that we never wanted in the first place. After all, marriage is a lifetime covenant, but the consequences that came with it were unminded by I in the name of the family. The next generation includes R, Ming Ming's mother who was allowed to go away for college but ended up getting pregnant to her Economics professor instead. Such news was devastating for the family, yet it should be noted that it was never mentioned in the play that never did the family thought that R should get an abortion. It contrasts very much of how our society nowadays has dealt with teenage pregnancies, which is, literally, bloody. The third generation now includes Ming Ming,who, like her mother, was allowed to fly on her own to go to college. And still, like her mother, she indulged to all dangerous vices and so she was forced to go back home. From then on, she was locked up in her room, only to be served meals three times a day by a mysterious man which was continuously mentioned in the play as "may nakasuksok na baril ". Ming Ming wasn't able to handle the horrors of the dark room that enclosed her and so one day with a bottle of Valium on one hand and gin on another, the 18 year old girl died silently on the dark room.
I do not agree of how Ming Ming decided to deal with her horrible situation, although I cannot completely blame her for what she has done. If I were in her place, I would never have kept quite with the suffocating tradition that destroyed my innoncence gradually. But then again and again, she isn't to be blamed, for she has known in all the years of her existence that shame in pride is a sin greater than death. For that, I salute the Muslim community for their undying commitment to their traditions without conditions at all.
Furthermore, I also salute the Integrated Performing Arts Guild for allowing us students to watch such wonderful performing arts presentation, and I definitely await for more plays to come.

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